Easter boops!

This little friend would like to send you all chin scritches and nose boops this Easter weekend 🐣 🥚 

#dog #doggo #cute #Easter #dachshund #boopmynose 

Link's 9th!!

My little guy is 9 years old today he’s accepting all presents in the form of love #dachshund #dog #birthdayboy

Now I’m 64 – Allison Crowe and Band W2U2

Where e’er you be – join in on this lovely Newfoundland parlour song. Allison Crowe and Band, from their freshly-released “Welcome to Us” recording, bring forth “Now I’m 64”. It’s a tune popularized by Atlantic Canada music legends Ryan’s Fancy, Harry Hibbs, Figgy Duff… and, now, us all:

Musicians Allison Crowe (vocals, piano, guitar, fiddle, bodhran), Céline Sawchuk (cello, vocals), Sarah White (mandolin, guitar, vocals), Dave Baird (bass, vocals) & Keelan Purchase (accordion, 12-string guitar, bodhran, harmonica, vocals) banded together on the lovely isle of Newfoundland for sessions and shows.

For a flock of creators who live, literally, all over the map it’s a rare chance to slow the world a bit. “We had time to experiment, and think more about the larger picture musically,” says bassist & birder Dave. “It’s only the beginning. It’s just the first we’ve had opportunity to work the music out without much time restraint. It was fun, relaxed, and productive.”

Melding into one sound and performance experience the rawest of folk roots and the richest of arena rock – that barely begins to describe the originality and freshness of the quintet’s music and personality.

Debuting at Corner Brook, NL’s Rotary Arts Centre, RAC Theatre Co-ordinator Brad Randell observes, “The performance was absolutely magical.”

Rolling across the rock, captured fresh at the LSPU (Longshoremen's Protective Union) Hall in St. John's, NL, Canada – it’s music that’s food for the soul and fun for all.

Fortune’s present audio-wise, and Allison’s SD (memory) card is filled with tracks to be mined and enjoyed. Sláinte!

"Welcome to Us 1", the concert’s first act, presents the brilliant bi-coastal band's more guitar-and-fiddle-centric tunes – live: http://music.allisoncrowe.com/album/welcome-to-us-1

"Welcome to Us 2", the concert’s second act, features the group's more piano-centric tunes – and encore – live: http://music.allisoncrowe.com/album/welcome-to-us-2

"Welcome to Us Banter Bits" includes any chat, laughter, applause not found on the "Welcome to Us" albums on iTunes et al. A free download to complement the concert music: http://music.allisoncrowe.com/album/welcome-to-us-banter-bits

For our video wrapper here – hearty thanks to Alick Tsui Photography and Mind Palace Design.

Arthur – Allison Crowe and Band W2U2

“Arthur” explores love and memory – and our fragile hold on each. From Act 2 of Allison Crowe and Band’s “Welcome to Us”:

Musicians Allison Crowe (vocals, piano, guitar, fiddle, bodhran), Céline Sawchuk (cello, vocals), Sarah White (mandolin, guitar, vocals), Dave Baird (bass, vocals) & Keelan Purchase (accordion, 12-string guitar, bodhran, harmonica, vocals) banded together on the lovely isle of Newfoundland for sessions and shows.

For a flock of creators who live, literally, all over the map it’s a rare chance to slow the world a bit. “We had time to experiment, and think more about the larger picture musically,” says bassist & birder Dave. “It’s only the beginning. It’s just the first we’ve had opportunity to work the music out without much time restraint. It was fun, relaxed, and productive.”

Melding into one sound and performance experience the rawest of folk roots and the richest of arena rock – that barely begins to describe the originality and freshness of the quintet’s music and personality.

Debuting at Corner Brook, NL’s Rotary Arts Centre, RAC Theatre Co-ordinator Brad Randell observes, “The performance was absolutely magical.”

Rolling across the rock, captured fresh at the LSPU (Longshoremen’s Protective Union) Hall in St. John’s, NL, Canada – it’s music that’s food for the soul and fun for all.

Fortune’s present audio-wise, and Allison’s SD (memory) card is filled with tracks to be mined and enjoyed. Sláinte!

“Welcome to Us 1”, the concert’s first act, presents the brilliant bi-coastal band’s more guitar-and-fiddle-centric tunes – live: http://music.allisoncrowe.com/album/welcome-to-us-1

“Welcome to Us 2”, the concert’s second act, features the group’s more piano-centric tunes – and encore – live: http://music.allisoncrowe.com/album/welcome-to-us-2

“Welcome to Us Banter Bits” includes any chat, laughter, applause not found on the “Welcome to Us” albums on iTunes et al. A free download to complement the concert music: http://music.allisoncrowe.com/album/welcome-to-us-banter-bits

Hearty thanks to Alick Tsui Photography and Mind Palace Design for the visuals.

Romeo and Juliet Corner Brook AM

Up bright and early for our opening performance of Romeo and Juliet for the schools this morning! Another school show tomorrow morning, then tomorrow (Friday) night our first show open to the public and another on Saturday! #theatre #shakespeare #newfoundland

Another show for the schools in the morning - and tomorrow (Friday) night is our first show for the public at the Arts and Culture Centre at 8pm! (Our last is Saturday at 8pm)

The youth theatre - acting and tech - have done such amazing work, you HAVE to see them!! it’s such an honour to share the stage with them.

You’ll laugh, you’ll cry, you may involuntary exclaim when you see the fight scenes cause WHOAAAA . Like seriously, whoa. #newfoundland #shakespeare #theatre #cornerbrook

Allison Crowe and Band find clothier

’twas another favourite band from a northern town that lyricized love – and fun – cannae be bought with money.

Musing on such fab notions, this birthday of Allison Crowe, it must be noted, then, that Allison and bandmates Céline Sawchuk, Sarah White, Dave Baird & Keelan Purchase form a priceless combo.

Witness some of their concerted hijinks – giving rise to the group term known as “a reel of Keelans” (akin to a flock of seagulls, a pod of dolphins etc.) – and contributing to Allison’s recent post-tour declaration:

I'm exhausted - but it's the good kind of exhausted. Not the kind that's like "I'm never doing that again. Ever." , but rather the kind that comes from working like crazy on something you felt you were maybe supposed to do, but was really a giant leap in to a pit of OH DEAR GOD THIS IS CRAZY of sorts, with a group of people that rocked their butts off with enthusiasm and love the whole damn time. Not without fear. The kind of fight or flight that it turns out is exhilarating rather than debilitating. When you get off the ride at the fair and scream "LET'S DO IT AGAIN" until you're hoarse and your body can't take it anymore. So - Celine - thank you for your passion and music and images and designs and being my gym and knitting buddy, Dave - thank you for your precision and timing and hilariousness and birding and commitment - Sarah thank you for your mando and music and level-headedness and perspective with humour, and Keelan - for jumping in this crazy clown car with us and bringing your instruments and jokes and huge dramatic presence and subtlety and also thank you for your clothes. I love you guys. LET'S DO IT AGAIN.

(What's so Funny 'bout) Peace, Love and Understanding

“This song puts into words a lot of the things I'm feeling in a way that I have a hard time verbalizing clearly. It's been covered a lot. There's the Elvis Costello version which to me has a defiant protest like quality to it (as well as a kind of unique coolness that only Elvis can do in his own way) and the original which is deeply felt and how Nick Lowe sings it today is almost pleading. It really says so much. I hope to fall somewhere in the middle.”

 
Recorded by Allison Crowe for "Cover Me" blog's 10th Anniversary! Celebrate @ http://www.covermesongs.com/2017/10/cover-me-turns-ten.html  Mixed by Larry "Turtle" Anschell.

"Cover Me" Turns 10: Allison Crowe Brings Peace Note to Celebratory Album

“Ray Padgett founded the blog Cover Me in 2007 and has run it ever since, growing it into the largest blog devoted to cover songs on the web, with 80,000 individual readers a month. His music writing has appeared in SPIN, MTV, Vice, Consequence of Sound, and more, and he’s been interviewed as an expert on cover songs by the Wall Street Journal and the BBC. He lives in New York City and also works as a senior music publicist for Shore Fire Media, where his clients have included Ben Harper, Lana Del Rey, and Maxwell.” Today, Cover Me’s 10th birthday, Ray releases a present to music-lovers that’s been six-months-in-the-making:

“We wanted to do something special to celebrate our tenth birthday. And we wanted to celebrate not just ourselves, but celebrate the cover song itself. So we put together this little album Cover Me Turns 10: A Covers Tribute to Covers as a gift to our readers. We contacted several dozen of our musician friends and asked them to cover a cover. That is, to honor the many great songs we might not even know without an iconic cover – Aretha Franklin reinventing Otis Redding’s ‘Respect,’ Quiet Riot amplifying Slade’s call to feel the noize, Prince learning that nothing compares 2 Sinéad O’Connor.

We’re honored that so many of our favorite musicians contributed, and frankly speechless at how great a job they did. So speechless, in fact, that we asked them all to introduce their own work with a few sentences...” Celebrate @ http://www.covermesongs.com/2017/10/cover-me-turns-ten.html

Allison Crowe’s cover of “(What’s so Funny ‘bout) Peace, Love and Understanding”, closes this special tribute album.

Album cover art design by Sean Balkwill

Celebrating avec "Montreal"

Long story short - this is a beautiful cover of my song ‘Montreal’ by a wonderful student and singer in Dorval (musicians of L'école Dorval-Jean XXIII).

Short story long (and rambling): So writing songs (for me, anyways) can be a weird thing - and can feel like no one will ever hear you, or care, or connect with how deeply you feel what you're saying - but then you kind of have to accept that maybe that doesn't matter, and it is in that instant only about what the creation for you means right then - and maybe that's all it'll ever be, it's absolutely possible no one will care, and so you just do it anyway, because it's what you do.

Maybe after you write it, it doesn't matter what it means to you, it isn't about yourself at all, it's about what someone else can take away from it, heal, commiserate, rage, sing or laugh along - and you put every emotion you have in to whatever you're saying in one moment - but then that time passes, A LOT OF TIME PASSES VERY QUICKLY, and everything takes on different meanings. Sometimes it's hard, sometimes it's funny, sometimes it makes you cry.

Students in Dorval are celebrating 375 years of Montreal, and this is a young woman singing a verse and chorus of my song ‘Montreal’, and I can honestly say that a) i never saw that coming b) i don't actually know what to say so i am saying too much and c) I'm crying.

"Whether I'm Wrong"

Allison Crowe with her first song and performance she posted online - "Whether I'm Wrong"

"Great Island Wonder" Uncorked

There’s a lot of love expressed when Allison Crowe sings and plays. Love for another. Love for humanity. Love of place. Love of peace. Love of freedom. There’s heartbreak and loss, too. Exorcism. Transcendence. "Soulful. Alive. Joyous. Grievous. Real, true, music” – the artist’s raison d’etre.

“Great Island Wonder” is the official release of a concert bootleg that’s long circulated in torrent trading circles. Mélanie Bilodeau of Denman Island, on Canada’s Pacific shores, presented this concert to her home community and neighbours on Hornby Island, BC in 2005 – it’s captured resonantly by Audioarchivist John MacMillan: https://allisoncrowe.bandcamp.com/album/great-island-wonder

A sister, companion in ways, to “Live at Wood Hall” recordings of concerts earlier that Spring – this night’s undercurrents surface in song debuts of “I Don’t Know”, “You”, “Skeletons and Spirits” and reflect a different sort of intensity.

This date was soon followed by a cross-Canada tour, embarking birth-place Nanaimo, BC and reaching St. John’s and Corner Brook, Newfoundland, on Canada’s Atlantic coast, where Allison Crowe made her new home. Bi-coastal love established then is grown ever-deeper now. (Another shift – this may be the final concert capture of entirely vocal-piano repertoire. By her next tours of Canada and Europe Crowe was including guitar songs, as well, in her set. In more recent years she’s added fiddle and bodhran.)

Sharing the tape – John MacMillan describes this ‘Live on Denman Island’ doc in these ‘Personal notes’:

“To be honest, this was a fairly ‘dark’ show - there seemed to be demons rearing their ugly heads for this concert. The song selection is pretty, um, deep and somewhat, well, I dunno what to call it. Not to go into all the dreary details, but I was beginning the end of a relationship with a partner who was the catalyst of making this show happen, and I believe Alley was going though a breakup that kind of came to a peak at this show. Like I say, the song selection and audience banter seems to reflect this stuff that was going on behind the scenes. Despite the personal hardships, I think it is a brilliant performance, with some humour thrown in as well. Allison Crowe is a great songwriter, a fantastic musician, and an amazing vocal talent. I hope you enjoy this recording as much as I enjoyed the show.”

(MacMillan’s ‘Technical Notes’ to the recording are found on the “Great Island Wonder” album page.)

The album’s front cover, foto by Allison Crowe’s released earlier this year. Here now is the back-side: Straits of Georgia and Part of Vancouver Island (Map) – adapted from “Ocean to Ocean, Sandford Fleming's Expedition Through Canada in 1872” (pub. 1873).

"Tonight Will Be Fine"

“In celebration of Valentine's Day, Cohencentric offers Allison Crowe's romantic cover of Leonard Cohen's Tonight Will Be Fine”:

Allison Crowe, Tonic! & The ScotianAires Share the Love

Mother Nature’s showing Canadians a lot of love for wind, ice and snow this season. Still, Spring is coming – and with its flowers and bird song arrives, in the city of Halifax, Nova Scotia, unalloyed joy in the form of a concert featuring Allison Crowe, Tonic! and The ScotianAires.

At the Bella Rose Arts Centre, Saturday, April 1st, 2017 “Music Speaks Louder than Words” (even those words used to describe the weather):
https://www.facebook.com/events/253414015091473/permalink/268387346927473

"On Feb. 14  give the gift of music! Share the a cappella love!"

Year of the Fire Rooster

Celebrate the Chinese Lunar New Year with Allison Crowe on a musical and cinematic voyage that’s of, and out of, this world:

Going Home Tonight - Allison Crowe and Band - Heirs + Grievances from Allison Crowe on Vimeo.

Remember Dr. Martin Luther King Jr. Day

We need always strive for peace and love in our lives and justice in society as we’re reminded on Martin Luther King Jr. Day. Here’s the piano version of “Up to the Mountain (MLK Song)".

Allison Crowe performs the Patty Griffin song live-in-the-studio of Newfoundland’s “Out of the Fog”. Thanks to musician, photographer, activist+ Bob Benvenuti for introducing Allison to this music.

Celebrating this Martin Luther King Jr. Day, Allison Crowe’s guitar version of Patty Griffin’s MLK song – tribute to the great civil rights activist and Baptist minister – “Up to the Mountain”

Visuals come from “Faces: Broadway” part of the “Faces: Newfoundland" installation created by Philip N. Robbins and Jillian Parsons (known then for their work with Stockpile or Larger Than a Cat).

Snow

Snow.

Fireworks all across the bay.

For Shannon

https://allisoncrowe.bandcamp.com/track/snow-2

Snow

Words & Music by Allison Crowe

Ice blue
Beautiful silence
The first snow falls
And whispers peacefully

Floating and reeling
you land in a snowflake
On everybody’s jackets
Keeping them company

Set about the air
And find without formation
No lines, no barricades
Just abstract light

A different shape
For every eye that sees
A comfort, a brush
through all of our eyes

lively and dancing
through the air
in the Winter's night
on the winds

falling and landing
landing and fixing
leaving an imprint
on all you have seen

and in this ice blue silence
this beautiful memory,
do not guard jealously
no time to despair

no pain in this cold
Just good, just kindness
A blanket of memory
Soft in the night

So smile and watch
As the snow falls around us
Landing on us all
Leaving peace to remember

Never one shade,
Never one shape
Always in motion
And beauty inspired

Traditional New Year’s cheer : "Love and joy come to you..."

Traditional New Year's cheer: "Love and joy come to you..."

Tidings

"Tidings" music for the season and all time - and no need, even, to get up and flip the record over. Enjoy:

Enjoy all 29 songs - sacred and secular, trad to modern - now open on Allison’s Musical Advent Calendar further down this webpage and also @ http://allisoncrowe.com/MusicalAdventCalendar2016.html

Peace :)

O Holy Night - Day 29 on the Musical Advent Calendar

“O Holy Night” completes the Musical Advent Calendar for 2016. On Christmas Day Allison Crowe delivers this much-loved, traditional, carol – music by Adolphe C. Adam (1803-1856) and words: Placide Cappeau, 1847 (Minuit, chrétiens, c'est l'heure solennelle); translated from French to English by John S. Dwight (1812-1893):

(Hear the “Tidings” album version @ http://music.allisoncrowe.com/track/o-holy-night)

Enjoy all 29 songs - sacred and secular, trad to modern - now open on Allison’s Musical Advent Calendar @ http://allisoncrowe.com/MusicalAdventCalendar2016.html

Silent Night (Stille Nacht) - Day 28 on the Musical Advent Calendar

“Silent Night” (“Stille Nacht”), first performed on Christmas Eve in 1818, is on the Musical Advent calendar now (Day 28) from Allison Crowe’s “Tidings” video session:

(The album version is @ http://music.allisoncrowe.com/track/silent-night)

Each day through Christmas enjoy a new song on Allison’s Musical Advent Calendar @ http://allisoncrowe.com/MusicalAdventCalendar2016.html