Wednesday, February 21, 2018

Illuminating Music: Just What the Doctor Ordered

A true tonic for the heart, body and soul. “Cohencentric: Leonard Cohen Considered” prescribes Lesson 1 in Dr. David Goza’s recently launched educational video series, “How to Listen to Music”. Musicologist Goza, Visiting Associate Professor of Music at University of Oklahoma, distills, in the lecture hall and online, “A Descriptive Analysis of Leonard Cohen’s ‘Hallelujah,’ Sung by Allison Crowe”.

https://cohencentric.com/2018/02/21/think-music-david-goza-featuring-allison-crowes-cover-hallelujah-leonard-cohen

Professor Goza notes @ https://www.youtube.com/watch?v=uZddiM1KjMU:
“I'm starting a new educational series to give my students some ways to think about music, and I'll probably post them here from time to time. This one involves a heartbreakingly beautiful performance of Leonard Cohen's ‘Hallelujah’ by Allison Crowe (https://www.youtube.com/watch?v=vIMOdVXAPJ0 )."


Dr. Goza, who teaches World Music at OU’s state-of-the-art facility, in his posting expresses "nothing but admiration for Ms. Crowe's extraordinary artistry.”

In turn, Allison’s honoured and grateful that her performance of Leonard Cohen’s song is part of, and launches, this wonderful new series.

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Saturday, July 01, 2017

Allan Showalter's "10 Reasons I Love Canada"

“O wad some Pow'r the giftie gie us To see oursels as others see us!” quoth the bard Robbie Burns. A Canada Day post from the personal blog of Allan Showalter, the word-spinner of magic @ "Cohencentric: Leonard Cohen Considered": http://allanshowalter.com/2017/07/01/10-reasons-love-canada

10 Reasons I Love Canada

July 1, 2017  /  Allan Showalter

Leonard Cohen
Robertson Davies
Allison Crowe
Holly Cole
k.d. lang
Barenaked Ladies
Ron Sexsmith
Carol Shields1
Joni Mitchell
Gordon Lightfoot
1. American born but really, truly Canadian

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Monday, December 19, 2016

“A Voice Made For Christmas – Carols By & Memories From Allison Crowe” – Cohencentric: Leonard Cohen Considered

Cohencentric: Leonard Cohen Considered” chimes with tradition and good cheer – and today the blog’s editorial Santa Allan Showalter hangs out this bright stocking feature: “Allison Crowe’s resonant, rich, gorgeous voice seems as much a manifestation of Christmas as an instrument for singing holiday songs:” http://cohencentric.com/2015/12/24/its-beginning-to-sound-a-lot-like-allison-crowe



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Monday, October 03, 2016

Arthur - Allison Crowe and Band Euro Live Bootleg Sparkles in Cohencentric Setting

Gem of a music-lover’s blog, “Cohencentric: Leonard Cohen Considered”, reveals facets of artistry on display in a rare bootleg of Allison Crowe and Band. The recording, just unearthed from an European audio-trove, features the quartet performing a song sparkling in the diamantine prose of Allan Showalter, Cohencentric’s master wordsmith:

“ ‘Arthur’ is elegantly, efficiently lapidarian, interweaving deeply personal questions of devotion and loyalty, Arthurian legend, intense romantic longing, and, of course, sex. It is, in a word (albeit a conveniently coined term) – Cohenesque. The video for ‘Arthur’ is also a visual treat, featuring sweet, awkward, altogether fetching clips from home movies, shot in Johannesburg and the Natal Coast of South Africa, of the honeymoon of two young people of my own parents’ generation.”



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Friday, August 19, 2016

"Allison Crowe's Resonant Echoes of Woodstock"

Blogger Allan Showalter, a literary locksmith transcending via “Cohencentric: Leonard Cohen Considered”, the online key for many a pair of Cohenphilic roller skaters, today picks a classic from the Woodstock era: “Allison Crowe Revitalizes Melanie’s “Lay Down (Candles in the Rain)”:
"Allison Crowe’s Resonant Echoes Of Woodstock
Allison Crowe’s cover of Melanie Safka’s hymn to peace and love merits special attention.
First, the story of the song’s creation is necessary..."

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Friday, July 08, 2016

Wedding Song - Cohencentric's Marvellous Take

Allan Showalter, always illuminating and entertaining concierge and much more at the Chelsea Hotel of culture blogs, “Cohencentric: Leonard Cohen Considered”, shares the keys to Allison Crowe’s “Wedding Song” video – its musical gallery hung with fotos by Billie Woods: http://cohencentric.com/2016/07/08/wedding-song-allison-crowes-small-masterwork

Checking in with nods to Andrew Marvell, Joni Mitchell, Janis Joplin, Lucinda Williams and Alicia Keys – our guide observes: “Turns out all the hype about about Allison’s vast tonal, thematic, and emotional range is true.” And, with another turn of phrase, unlocks this realization: “Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song.”



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Friday, December 25, 2015

Merry Christmas!!!

In My Life” - those with us, those absent or departed. Sharing love, joy, and peace:



Allison Crowe takes us on a magical musical tour with The Beatles and more on “Tidings”: http://music.allisoncrowe.com/album/tidings

Salt Water Music’ has crested the air-waves on CFRC 101.9 FM sailing out of Kingston, Ontario since May 2007. Rob Carnell, the show’s captain and DJ embarks on Fridays, 6 – 8pm EST with a vessel full of the finest music from Canada’s East Coast.

Sharing barrels of fun and life’s true tales, today’s Christmas episode carries sounds of Dawn Chubai, Ian Sherwood, Coco Love Alcorn, Stephanie Beaumont’s Sea and Be Scene, Sleepy Driver (we’ve all been there post-meal!), and, says the good ship’s manifest, a full cargo of tunes from Allison Crowe’s “Souling” album – which serves up a cappella such traditional favourites as “The Wexford Carol” (from the full menu @ http://music.allisoncrowe.com/album/souling-bonus-tracks-edition ) - and, for dessert, a treat from Crowe’s “Tidings Concert http://music.allisoncrowe.com/album/tidings-concert
 


This evening, park your sleigh, join Santa, the reindeer and us all for a joyous ride with Rob Carnell on Canada’s “Salt Water Music”. Climb aboard from anywhere in the world - listen online @ http://www.cfrc.ca from 6 to 8pm EST tonight (check your local clock and compass for coordinates).



"Silent Night" - Allison Crowe from "Tidings".



he jolly elves at “Cohencentric: Leonard Cohen Considered” are well into the spirit of the season. And they have on their juke-box music from a certain bi-coastal Canuck, as the blog notes: “Allison Crowe’s resonant, rich, gorgeous voice seems as much a manifestation of Christmas as an instrument for singing holiday songs.” We join now Santa’s helper at the blog, Allan Showalter, and sing in Christmas!



ho, ho, ho... and mistletoe

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Thursday, August 13, 2015

Come Fly With Me Behind-the-Scene

In Hollywood, not too long ago, movie director Zack Snyder was putting together the soundtrack for his cinematic take on the Alan Moore-penned comic series “Watchmen”.

One particularly noteworthy scene played out to the sound of Allison Crowe’s much-loved recording of Hallelujah – the Leonard Cohen classic that’s been expressed in most ways imaginable. (This artistic association ultimately led to the director flying Crowe across the continent to cameo in his reboot of the Superman movie series, "Man of Steel".)

Considering the "Watchmen" scene was meant to be awkward and ironic, Snyder drew another breath and concluded Crowe’s performance was “too beautiful”, “too romantic” and “too sexy” for the film – replacing her version with Cohen’s original.

Allan Showalter, the ever-mysterious-and-curious eminence grise behind Cohencentric: Leonard Cohen Considered" revisits that movie moment as only he can:



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Saturday, April 11, 2015

Hallelujah Considered

Allison Crowe’s singular interpretation of “Hallelujah” was first released on record in 2003. The Leonard Cohen classic has been covered hundreds of times since – by country acts, pop idols, crooners, swooners and more. Allison’s rare, visceral, artistry remains timeless and, today, “Cohencentric: Leonard Cohen Considered” places in its firmament this iconic video - one of the world's most-loved versions of the song (filmed live-in-the-studio of Canada’s Turtle Recording):


Hallelujah - Allison Crowe performs Leonard Cohen from Allison Crowe on Vimeo.

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Friday, March 13, 2015

Tonight Will Be Fine on Cohencentric

Cohencentric blogs “DrHGuy” and “1 Heck of a Guy” recently saw curtains drop on their years of entertaining and illuminating the world via their creator’s singular “pastiche of posts with song, dance, snappy chatter, and notes on prose, poesy, love, lust, life, & Leonard Cohen”.

Happily, the stage-lights are shining again on the fruits of love’s labour from Allan Showalter, “arguably the greatest living Cohen expert” – and we see these two websites have re-emerged in a union that promises to delight like 'tea and oranges that come all the way from China'.

Suited now as “Cohencentric: Leonard Cohen Considered” the blog is curating its more than 14,000 pieces previously posted, and adding new items. Here, Allison Crowe’s cover of “Tonight Will Be Fine” is re-framed:


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Wednesday, February 25, 2015

Bird on a Wire

"Allison Crowe's cover of Leonard Cohen's classic 'Bird On The Wire' is mournful and, true to the lyrics of the song, conscientiously abjures cheap conventional sentiment or ginning up the type of pseudo-consolation that relies on false promises of living happily ever after, e.g., that irreparable conflicts will somehow be resolved, emotional damages repaired, or the pain of personal loss alleviated. Yet, Crowe's voice and phrasing convey such empathy and intimacy that solace and succor are nonetheless granted through grace.

It's a great cover of a great song."


Bird on a Wire from Allison Crowe on Vimeo.

Those words could only have been penned by Allan Showalter.

Liel Leibovitz, author of “A Broken Hallelujah - Rock and Roll, Redemption, and the Life of Leonard Cohen” has tagged him “arguably the greatest living Cohen expert” and, for years, Showalter (aka DrHGuy) has proven to be the most erudite and entertaining writer to turn their mind to illuminating the world of the iconic poet, songwriter and author - and to share such treasures freely online.

This weekend, the Spook Lights have gone out o'er the good doctor’s beloved blogs – '1heckofaguy.com' and 'drhguy.com'.

Allison Crowe, (and her barnacled manager), be humbled and honoured to have received the attentions and appreciation of Allan Showalter. Allison’s music featured numerous times on those blogs that have been deep sources of delight for Cohen-philes, and fans of Anjani Thomas, Sharon Robinson, Perla Batalla, Adam Cohen, The Webb Sisters and so many more artists+.

We hope the world may again some day be brightened by the mysterious DrHGuy’s singular “pastiche of posts with song, dance, snappy chatter, and notes on prose, poesy, love, lust, life, & Leonard Cohen”.

For now, we’ve pulled out the cornbroom to dust-up this commemorative edition video of “Bird on a Wire” in loving salute to ‘1 Heck of a Guy’ – Allan Showalter.

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Tuesday, September 09, 2014

Sing Out! In Our Global Village

The Leonard Cohen Files’ now lists 567 different cover versions of Leonard Cohen’s much-loved “Hallelujah” – recordings made in dozens of countries and numerous languages: http://www.leonardcohenfiles.com/coverlist.php 
Hallelujah” is a popular song we’ve been able to widely and directly witness become a standard – as this process has occurred during, and, in part, thanks to, this age of the internet reaching near-ubiquity.
The global expanse of songs such as The Beatles’ “Yesterday”, (with some 3000 interpretations on record), and Joni Mitchell’s “Both Sides Now”, (nearing 1000 covers at latest count - http://jonimitchell.com/music/covers-most.cfm ), and most other tunes which have become standards in the canons of pop and rock – and many more in folk, jazz and other genres – has, largely, been a phenomenon experienced offline (and these songs grew into universal favourites not in our real-time view).
The introduction of “Hallelujah” to a mass audience – via such channels as 2001’s Hollywood hit animated film “Shrek” – has been augmented and amplified by the world wide web.
Music and video sites online enable songs to be shared around, enjoyed and learned – grassroots traditions of jam sessions, campfire sing-alongs, church choirs and other communal ways that music is transported, today can be propelled by the advance in technology (and digital devices, in hand, enable more people to make recordings).
Not only can people world-wide experience music more readily, and in greater richness and variety, than in pre-internet times, folks are now able to express what it all means to them and reflect back to the same giant community “so that all souls can see it”.
For myself, serving as manager to Allison Crowe, a musician creating in these exciting times, one of the profound pleasures now possible is regularly hearing how people are moved by music.
Reflections on Hallelujah” @ http://blog.farmgirlwrites.com/2014/06/reflections-on-hallelujah.html - posted by Washington, DC-based blogger, “Farmgirl Writes”, is the sort of thing that inspires appreciation and understanding of a song and our fellow beings.
And, (especially for those with more dexterity and musical talent or dedication to this course than I), there’s such sites as “Chordify” – which show how we can play the music we love - http://chordify.net/chords/allison-crowe-hallelujah-live-in-the-studio-adrian22
Joni Mitchell: In Her Own Words” – a new book that’s exactly what its title promises – Joni’s voice heard through a trio of decades-spanning interviews with her friend, artist and journalist, Malka Marom - is released this week (officially, September 9, 2014).
Allan Showalter, aka DrHGuy, offers a typically entertaining and enlightening post in review @ http://1heckofaguy.com/2014/09/03/book-review-joni-mitchell-talks-about-growing-up-art-songwriting-love-and-leonard-cohen
I’ve mentioned this previously in a post to my own (Adrian’s personal facebook) page and – not unrelated to L. Cohen, the nature of popular songs, their interpretation and sharing – this book includes choice commentary.
"River... Joni Mitchell's whole album Blue is timeless," Allison remarked when she covered the uniquely ever-green song on her own album “Tidings” in 2004.
And “River”, like “Hallelujah”, has witnessed an accelerated cultural expanse and embrace in these digital media times. Currently, Bob Muller, the Grand Poobah of Covers at JoniMitchell.com, tracks 402 different versions of Mitchell’s song @ http://jonimitchell.com/music/covers-most.cfm
The song established itself steadily over the decades – with some 200 covers being made from the time of its release on “Blue” in 1971 to 2007. In these last seven years, the total number of “River” covers has doubled.
In this new book, the brilliant singer, songwriter, composer, painter+ tells her confidante and interviewer: “There was a funny article in the L.A. Times. The guy was ranting, ‘Why are all these people covering Joni Mitchell’s ‘River’? It’s overexposed.’ That’s what he said, and I thought, ‘This person has no concept of what a standard is. A standard is a good song enjoyed by many.’ A lot of singers wanted to sing it, and it kept the song alive.”
Malka asks: “How do you feel when people sing your songs, any song, or play it completely different, like with ‘normal’ chords, and different arrangements?”
Joni says: “I think it’s great, I feel honoured. I like the idea of songs being sung. I like the idea that people who can’t even sing are singing them...” 

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Thursday, August 28, 2014

16 Songs - Video Album

We now know the song listing for Allison Crowe’s upcoming 16 Songs music video series:

Disease
Why
Circular Reasoning
Creep
There Is
Doughnut Song
Running
Mona Lisas and Mad Hatters
Spiral
Sweet Dreams
Effortless
Josephine
Double-Edged Swords
Running for Home
Alive and Breathing
Throw Your Arms Around Me



This new music video series launches September 9, 2014 (a shift from the September 2 date originally announced).

A magical mystery tour of music with visuals from great artists and innovators of the 20th and 21st centuries - film-makers, animators, painters, photographers and more… - it’s a multi-media expression of the artist’s mission to make "Soulful. Alive. Joyous. Grievous. Real, true, music." ( http://allisoncrowe.com/bio.html )

 This 16 song video album pairs Allison’s originals with some singular interpretations - underscoring an observation of Allan Showalter, aka DrHGuy, delightful chronicler “On Life, Love, Lust, & Leonard Cohen” – “Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song." ( http://1heckofaguy.com/2009/01/27/wedding-song-allison-crowes-small-masterwork )

It’s a season of cryptic crosswords and other, puzzling, fun. Here, now, are 16 visual clues – screenshots from each of the videos in the series. Some you may recognize, some you may not have seen before…

Imagine which goes with which song in the set-list – this September details will be revealed, and matches will be made.

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Wednesday, April 03, 2013

Tonight Will Be Fine

Combining heart, soul and vision - in words, music and images - Allan Showalter, the much-loved Leonard Cohen+ blogger, presents this video:


Tonight Will Be Fine (Leonard Cohen) - Allison... by rimbaud22ca

Allison Crowe performs Leonard Cohen's song, "Tonight Will Be Fine", accompanied by images from the fabulous and free-spirited photog Billie Woods, a painting by Vienna's boki.b and pics of posters by dedicated German concert promoter "Andreas" - and North American rock poster legend Bob Masse.

And, there be a related DrHGuy blog post as well @ http://drhguy.com/2013/04/03/ten-women-singing-leonard-cohen-songs

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Monday, December 17, 2012

The First Noel ~ "Tidings Concert" (song 12)


The First Noel", one of the traditional carols on Allison Crowe's "Tidings Concert", album never fails to get me singing along. More reason to be thankful - to wit, I don't use a webcam :) Instead, here's Allison, whose "resonant, rich, gorgeous voice seems as much a manifestation of Christmas as an instrument for singing holiday songs" says the wise man and blogger, Allan Showalter (of "1HeckofaGuy.com" - http://1heckofaguy.com/2011/12/12/its-beginning-to-sound-a-lot-like-allison-crowe )

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Saturday, June 23, 2012

Delay - Musical Decade Shines Still Brighter

"Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song," says Allan Showalter, the erudite mystery-man behind the enriching and entertaining Leonard Cohen-centric blog, 1 Heck of a Guy.

With the good doctor's observation in mind - here's another one from Allison:



This, a diamond mined 10+ years ago - and the musical equivalent to kimberlite pipes are richer than ever. The fuller origin story can be found on the YouTube page hosting "Delay".

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Saturday, June 16, 2012

Double Dip of Leonard Cohen Ballet News

Marvellous and mysterious blogger DrHGuy, miner of many Leonard Cohen-faceted diamonds, today presents a post de deux on Canada’s Royal Winnipeg Ballet and the recent engagement of musician Allison Crowe - performing Cohen's "Hallelujah" with the RWB:

http://1heckofaguy.com/2012/06/16/allison-crowe-gets-the-pointe  +

http://drhguy.posterous.com/ballet-with-allison-crowe

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Saturday, March 17, 2012

Rock Liebster - 1 Heck of an Award

Capping a week of fresh delights, I woke this a.m., St. Patrick’s Day, to find Allison Crowe’s blog, for which I serve as caretaker, is a recipient of the prestigious Liebster Award.


I learned this by visiting “1 Heck of a Guy” – everybody’s favourite Leonard Cohen-centric blog written by a psychiatrist and “featuring song, dance, snappy chatter plus notes on prose, poesy, love, lust, life, and beyond."

There, the erudite blogmeister Dr. Heck, aka Allan Showalter, reveals the exceptional roster of blogs upon which the Liebster's bestowed. He explains the nature of things, especially fitting on this day for pledging fealty to friendliness - with or without a Guinness in hand.

Even the name of the award brings forth cheer, musically echoing, as it does, this German-language performance by the Fab Four - Sie Liebt Dich:




together with this also fabulous recording by T. Rex – Jeepster:




(One of today’s bands, The Black Keys, say, seems a natural to update Marc Bolan’s lyrics for the digital age: “Girl, I’m just a Liebster for your blog”.)

In handing out a Liebster to Allison Crowe's blog, the always entertaining, (and, to some, mysterious), Dr. Heck, says:

“Allison Crowe’s official site not only offers information, videos, and music about the next Canadian singer-songwriter but not infrequently issues a shout-out to other artists that have left an impression on Ms Crowe, including Leonard Cohen. In any case, Adrian du Plessis, who serves both as Allison’s personable manager and webmaster of the site writes prose that is entertaining, informed, and, on occasion, not unlike pirate lingo.”

Allison and I have savoured drinking in the history and import of this charming recognition. Thank you, danke, merci, grazie, and more, Dr. Showalter!!

In the spirit in which it’s delivered, and, further, to fulfill the duties and obligations of accepting a Liebster Blog Award, over the coming days, we shall choose other blogs to so honour in kind.

Stay tuned...

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Sunday, February 12, 2012

Wedding Song: V Day Playlist #5 of 7

Allan Showalter, erudite and entertaining MC at '1 Heck of a Guy', a Leonard Cohen-centric blog of rare scope, in comparing Allison Crowe's cover of "Me and Bobby McGee" with this original, "Wedding Song" -



- says such act "leads to an unavoidable conclusion: Once you’ve heard one Allison Crowe song, You’ve heard one Allison Crowe song." The good doctor adds: "Turns out all the hype about about Allison’s vast tonal, thematic, and emotional range is true."

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Monday, April 19, 2010

Volcanic talents erupt with Spiral: Allison Crowe’s rock and roll providence

The road less-travelled is proving, both, essential and fruitful for the music and audience of Allison Crowe. Steering clear of the corporate and indie mainstream frees the Canadian-born musician to earn a singular place as one of today’s most exciting songwriters and performers. All over the world, Crowe’s success is founded on emotional resonance - not promotional dollars and cents.

Dutch culture blog “File Under” notes: “Music is a necessity according to Allison Crowe and this is clearly apparent in the intensity of the way she sings and plays piano. To ensure artistic freedom and following one of her inspirations Ani DiFranco, she started her own label Rubenesque Records in 2003 on which she’s already released two EP's and six albums.”

http://www.fileunder.nl/archives/2010/04/allison_crowe_spiral.php

April 17 has musical lineage as birth-date of The Buzzcock’s Pete Shelley, and Tool’s Maynard James Keenan. The Band (formerly The Hawks) performed their first concert on April 17, 1969. Exactly one year later, Paul McCartney's debut solo album, "McCartney", was released. This April 17, coinciding with Record Store Day, Allison Crowe’s “Spiral” album was released on CD.

“I hear so much music these days, too much for one person really. I’m inundated with such a flood of sounds both good and bad that I sometimes forget what it feels like when a song literally produces chills on your arms,” says Muruch, a blog with roots in America and branches across the world of arts and entertainment.

”Then I hear Allison Crowe sing, and I remember the effect music is supposed to have on you. That awe-inspired rush, that indescribable feeling of communion between artist and audience. The gratitude that someone gifted has expressed through their art an emotion you personally lack the talent to articulate. To quote Allison: ‘Why music? Why breathing?’ ’’

http://www.muruch.com/2010/04/allison-crowe-spiral.html


"I Found You" - one of two original oil-paintings by Tara Thelen, Bergen, NL-based artist, featured on Allison Crowe's "Spiral" CD cover


1 Heck of a Guy” author, Allan Showalter, (also U.S.-based and international in cultural scope), reports being: “Joyfully Caught In Allison Crowe's ‘Spiral’."

“Having spent most of the past two days playing and replaying the Allison Crowe ‘Spiral’ CD, I’ve come to certain conclusions:

1. ‘Spiral’ is an outstanding album. That’s hardly a surprise. The album features a great voice, great song selections, and great arrangements. What’s not to like?

2. Listening to the CD renders an already obvious point unavoidable:
newcomers to Allison Crowe should be granted access to her music only on the condition that their first experience is listening to an entire album. Don’t get me wrong – there are several tracks that would, in the era of 45 rpm records, have qualified as hit singles. But, listening to a song or two from ‘Spiral’ is impressive; listening to the entire album in one sitting is overwhelming – in a good way.

3. The ‘Spiral’ CD not only sounds right, it looks right and feels right. Having owned too many of the same albums in too many conformations, including vinyl records, cassettes, 8-tracks, reel-to-reel recordings, CDs, and downloaded files with any number of suffixes (MP3, WAV, AIFF, AU, FLAC, AAC, MPEG-4, WMA, …), I am rarely swayed by format nostalgia, but in this case, the physical CD itself seems a better fit to the album than invisible computer files. It is especially gratifying to discover that the art and the gatefold design evokes the sense of those albums I bought in the 1960s and 1970s when examining the graphics, reading the liner notes, and considering their implications vis-à-vis the music inside was an essential element in listening to that new record (see graphic below; click on image for best viewing).

The concern shown in this quality of design reflects parallel concerns and respect for the music and for the buyer’s experience.”

http://1heckofaguy.com/2010/04/15/joyfully-caught-in-allison-crowes-spiral

Spiral”, Allison Crowe’s seventh CD release, is now available in record stores from Vancouver Island to Newfoundland, Canada (incl. Nanaimo, B.C’s Fascinating Rhythm and Lobelia's Lair; on Salt Spring Island at Acoustic Planet Music and Salt Spring Sound; in Victoria, B.C. come to Lyle's Place; in Vancouver, visit Zulu Records; in Newfoundland drop by Fred's Records in St. John's), and online at allisoncrowe.com, eBay, CD Baby, MapleMusic, Amazon.com, iTunes, eMusic, Fishpond and many more fine sites.

Due to the lively nature of Iceland's Eyjafjallajökull volcano, which has sent a cloud of ash over Europe, (one that has now reached the east coast of Newfoundland, Canada), concert dates of Allison Crowe for this month in Aachen, Paris, Frankfurt and Berlin are being rescheduled to combine with shows in Austria, Italy, the Netherlands and other locations for a grand European tour this Fall.

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