Come Fly With Me Behind-the-Scene
In Hollywood, not too long ago, movie director
Zack Snyder was putting together the soundtrack for
his cinematic take on the Alan Moore-penned comic
series “Watchmen”.
One particularly noteworthy scene played out to the sound of Allison Crowe’s much-loved recording of “Hallelujah” – the Leonard Cohen classic that’s been expressed in most ways imaginable. (This artistic association ultimately led to the director flying Crowe across the continent to cameo in his reboot of the Superman movie series, "Man of Steel".)
One particularly noteworthy scene played out to the sound of Allison Crowe’s much-loved recording of “Hallelujah” – the Leonard Cohen classic that’s been expressed in most ways imaginable. (This artistic association ultimately led to the director flying Crowe across the continent to cameo in his reboot of the Superman movie series, "Man of Steel".)
Considering the "Watchmen" scene was meant
to be awkward and ironic, Snyder drew another
breath and concluded Crowe’s performance was
“too beautiful”, “too romantic” and “too sexy”
for the film – replacing her version with
Cohen’s original.
Allan Showalter, the ever-mysterious-and-curious eminence grise behind “Cohencentric: Leonard Cohen Considered" revisits that movie moment as only he can:
Allan Showalter, the ever-mysterious-and-curious eminence grise behind “Cohencentric: Leonard Cohen Considered" revisits that movie moment as only he can:
Labels: Alan Moore, Allan Showalter, Allison Crowe, Canada, Cohencentric, Hallelujah, Hollywood, Leonard Cohen, Man of Steel, music, Night-Owl, Sceptre, soundtrack, Superman, Watchmen, Zack Snyder
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