Digging 50 years of Beatlemania in North America helps to
unearth a Canadian cultural treasure in Allison Crowe’s
home province on the Atlantic. The Beatles landing at New
York City’s JFK International in February 1964 was
emblematic of the new – the “jet set” – a revolution in air
travel that made it possible for jet planes to cross the
Atlantic in record times. In the era of propeller planes
and the refuelling stop-overs needed to make the trip
between Europe and the USA, the key North American terminal
– GIA - was located in Gander, Newfoundland.
Gander International’s VIP Lounge played host to Albert
Einstein, Marlene Dietrich, Fidel Castro, Frank Sinatra,
Winston Churchill and Jackie O., among countless others,
during those years GIA was popularly known as the
“Crossroads of the World”.
Then a thriving global hub, in 1959 a new terminal opened
and its construction and furniture featured creativity of
leading designers – including chairs by Charles and Ray
Eames -
http://eamesoffice.com/charles-and-ray
, “Primasteel” seating by Robin Bush, and a six-foot mural
painted by Kenneth Lochhead -
http://www.kennethlochhead.com
Gander International Airport - departure lounge
photographed by Zach Bonnell
The advent of jet travel, however, soon redirected the flow
of international air travel. With Gander facilities no
longer bustling, it’s uniquely preserved a “time capsule”
quality. Today, GIA is viewed as a marvel by art
historians, architects and design aficionados – ''It's
still one of the most beautiful, most important Modernist
rooms in the country, if not the most important,'' says
Alan C. Elder, Curator, Canadian Crafts and Design, at the
Canadian Museum of Civilization in Gatineau,
Quebec. (Recently renamed, the
Canadian Museum of
History is this nation’s most-visited museum).
Gander, and such nearby communities as Lewisporte,
Twillingate and more, earned international renown in 2001
as GIA became haven for dozens of international aircraft
grounded when airspace was shut-down in the wake of the
9/11 NYC attacks. The character of Newfoundlanders and
Labradorians opening their hearts and homes to thousands of
people – flight passengers and crew - during the crisis is
legend -
http://www.snopes.com/rumors/gander.asp#smvFTOCIkq43PMEj.99
Less-known, across even its home and native land, is how
Gander long-served as “Crossroads of the World”. Awareness
of GIA’s style is enjoying a renaissance in our internet
age – with features in
The New York Times -
http://www.nytimes.com/2005/03/20/travel/tmagazine/20TGANDER.html
,
Institute -
http://www.instituteartist.com/feature-Gander-Airport-Simon-Norfolk
, “dwell” magazine -
http://www.dwell.com/rewind/article/aviation-preservation
- and more -
http://itraveltree.com/virgin-atlantic-welcome-to-um-gander-canada
Most recently,
Bloomberg’s high-end “
Pursuits”,
(a publication “for the world’s richest people”) put Gander
International on its cover, with a fashion shoot -
http://ca.zinio.com/reader.jsp?issue=416276333&WT.mc_id=PUB_COM_DISC_GLOBAL_082813_Pursuits_Fall13
- calling it “the world’s coolest airport”.
Labels: 1959, 1964, 9/11, airport, Albert Einstein, Allison Crowe, architecture, design, furniture, Gander, GIA, JFK, Labrador, Modernist, Newfoundland, NYC, style, The Beatles, Zach Bonnell