2016

“Allison Crowe is an indie darling,” says Kyle Northrop, “grizzled veteran of the radio broadcasting industry”, in “iAm Indie: 15 for ’15”. Northrop’s album round-up for “BackLog Adventures” blog finds Crowe’s super, solo, “Sylvan Hour” keeping time with releases from Mountain Goats, Mumford and Sons, Alabama Shakes, Father John Misty and fellow Canadians Metric, & Ben Caplan among others. “With a voice on par with Sarah McLachlan or Joni Mitchell, Allison Crowe is a true hidden gem.”

http://backlogadventures.com/2015/12/31/iam-indie-15-for-15

A singular artist, touring and recording on her own for much of this century, in 2015 Allison Crowe (vocals, piano, guitar, fiddle, bodhran) made the transition to fronting a freshly creative and exciting musical group featuring: cellist/vocalist Céline Greb, guitarist/vocalist Billie Woods, multi-instrumentalist Sarah Melanie White, and bassist Dave Baird.

This news lands Crowe in “Monday Magazine's Top 20 stories from 2015”: http://www.mondaymag.com/news/363877541.html Laura Lavin, Editor of Monday, arts and culture monthly of Victoria, (capital city of British Columbia, Canada) – traces Crowe’s path from school bands in her birthplace of Nanaimo, BC to current work with Theatre Newfoundland and Labrador in her home of Corner Brook, NL and Summertimes as part of the Gros Morne Theatre Festival for which she musically directs TNL’s hit show, “Newfoundland Vinyl”: http://www.mondaymag.com/news/328960261.html (“Allison Crowe says so long to solo”).

2016 promises, firstly, “Introducing” / “Heirs & Grievances” – a double album, (one live set plus one studio set), from Allison Crowe and band – and then the galactically great show goes on the road. Happy New Year!