Circular Reasoning - Comes 'round Again
“Circular
Reasoning” spins here with a 1933 and 1/3
Betty Boop classic from Fleischer Studios.
Musical time starts counting again with Allison Crowe’s “Sylvan Hour” wonderland: http://music.allisoncrowe.com/track/circular-reasoning-sh
Circular Reasoning from Allison Crowe on Vimeo.
“Sylvan Hour is truly a masterpiece” says pioneering culture blog Muruch. (http://www.muruch.com/2015/05/allisoncrowe-sylvanhour.html)
Discover this music from a remarkable artist at a personal and creative crossroads in her life. “Sylvan Hour” is an album of songs bridging west and east, piano and guitar, then and now…
Musical time starts counting again with Allison Crowe’s “Sylvan Hour” wonderland: http://music.allisoncrowe.com/track/circular-reasoning-sh
Circular Reasoning from Allison Crowe on Vimeo.
“Sylvan Hour is truly a masterpiece” says pioneering culture blog Muruch. (http://www.muruch.com/2015/05/allisoncrowe-sylvanhour.html)
Discover this music from a remarkable artist at a personal and creative crossroads in her life. “Sylvan Hour” is an album of songs bridging west and east, piano and guitar, then and now…
For fans of Allison Crowe at her purest, this is
voice, one accompanying instrument – one take.
Real-time performances in the sequence they’re
played and sung by Allison in a log-home on Salt
Spring Island, BC, Canada.
That afternoon the musician was in the midst of
migrating from her birthplace of Nanaimo, BC, on
Canada’s Pacific, to a new nest in Corner Brook,
NL, on the Atlantic coast. Soon to fly east, Crowe
bade farewell to those near and dear on western
shores – including compatriot Kayla Schmah on Salt
Spring, neighbouring Vancouver Island.
Decades earlier Schmah’s parents had made an epic
trek to the Pacific Northwest from Central Canada –
in a repurposed donut truck. Planting themselves in
the Gulf Islands archipelago, they lived at first
in a converted parachute in the woods. From the
ground up the home-steaders then built a family
dwelling out of Douglas Fir – their “sylvan
castle”.
Allison and Kayla, as musicians had shared stages
together from their teens onward (and, years later,
becoming a film-scorer in Hollywood, Schmah
brilliantly orchestrated and produced Crowe’s album
“Spiral”.)
Among the friends together on SSI this day was Ryan
Adams (who, like Schmah was a recent graduate of
Berklee College of Music and was en route to
becoming an in-demand tv/film audio engineer in Los
Angeles).
With mics and a laptop set-up in the living-room,
Adams captured this set of the newest songs in
Allison’s repertoire – originals including “Skeletons
and Spirits”, “Running”, and “Silence”
as well as a trio of covers (interpreting songs
famously by Joni Mitchell, The Lovin' Spoonful and
Aretha Franklin).
Also gorgeous, but differently so, essentially group
versions of most of these songs were released near
the end of that same year (2006) on Allison Crowe’s
album “This
Little Bird” (the title track a
celebration of her migration). “I Never Loved a
Man (The Way I Love You)” is the sole sylvan
session recording released before – it’s presented
now within the full hour of music for all time.
Enjoy this most natural of talents – in this most
natural of settings.
Labels: Allison Crowe, animation, Betty Boop, chanson, Fleischer Studios, folk, guitar, Liedermacher, love, Newfoundland, rock, Ryan Adams, Salt Spring Island, singer, songwriter, Sylvan Hour, Wonderland
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