Creep
Fourth in the feast of imagination that is Allison
Crowe’s “16 Songs” Video Album is a cultural dish
centuries in the making.
Since the Middle Ages there are reports of the
Welsh having a fondness for toasted cheese. The
first recipes for “Welsh Rarebit” (or “Rabbit”)
appear in the 1700s – and, this, (as well as an
English Rabbit, an Irish and a Scotch Rabbit),
hopped to the New World with the colonists.
To Scottish immigrants in Woodstock, Upper Canada,
in the year of the country’s Confederation, 1867,
was born Zenas W. McCay. Then, again, the artist,
who would grow up known by his middle name, Winsor,
may have entered this world a few years later, and
south of the border – in Spring Lake, Michigan.
Whatever the ingredients of his origin he found his
way to revolutionize comics+ with his pioneering
techniques, and, especially his creation, “Little
Nemo in Slumberland”.
McCay by the late 1800s was illustrating posters to
comic strips (he later toured, as well, drawing
live on the vaudeville stage for appreciative
audiences). Winsor McCay’s legacy – his enormous
influence and inspiration’s given nods by Max
Fleischer, Walt Disney, Federico Fellini, Maurice
Sendak, Art Spiegelman and other greats in visual
and pop arts.
In 1904 he launched the newspaper strip “Dream of
the Rarebit Fiend”. This successful series ran
until 1911 – and related the strange dreams of
folks who’d eaten Welsh Rarebit before going to
sleep. Between 1911 and 1921 Winsor self-financed
and animated ten films - three of which fly on this
theme.
An excerpt of McCay’s “Dreams of a Rarebit Fiend:
The Pet” (1921) is on the menu here with Allison
Crowe’s version of “Creep”, recorded
live-in-concert with her first trio – the cooking
rhythm section of Dave Baird on bass and Kevin
Clevette on drums. The music’s captured by audio
archivists Condor and John MacMillan at the
Chilliwack Arts Centre, BC, Canada in 2003.
That’s a decade or so after the song, lyrics penned
by Thom Yorke and music composed by Radiohead, was
released by that band as its cracking debut. In
turn, it’s 20 years before Radiohead’s giant
international hit with “Creep” that a tune by
musicians Albert Hammond and Mike Hazelwood
delivered The Hollies to the toppermost of the
poppermost with “The Air That I Breathe”. Radiohead
and Hammond/Hazelwood agreed to co-songwriting
credits on “Creep” – serving up delicious melody
and a rare bit of shared popular music history on
the side.
#4 of 16 Songs
Labels: Allison Crowe, animation, Canada, cinema, cover, Creep, live, music, piano, Radiohead, rarebit, rock, Scottish, Thom Yorke, video, Welsh, Winsor McCay
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